![]() That fear never really goes away, it’s part of what makes this job so exciting and terrifying anytime… “It feels like jumping off a cliff every time you’re animating something new because you don’t know if you can do it or not. ‘Am I going to be able to make this as good as it should look?’ “I felt the whole time that I wasn’t going to do it good enough, I was really hard on myself the whole time,” she confessed. Walters also admitted that working on Frozen 2 – when she hadn’t animated Elsa before – did prompt another challenge. “I went and asked him what his workflow was like for that.” “I looked at Moana, Andrew Feliciano did some amazing runs of Moana while she’s singing,” she said. If you recognise his name it’s because he’s Disney stalwart having worked on Tarzan (which Buck also directed), Tangled, Aladdin, The Rescuers as well as Beauty and the Beast.īut it wasn’t just the 1995 movie Pocahontas that inspired Walters she also looked at the more recent movie Moana. Walters picked a good point of reference – Glen Keane was the animation supervisor behind Pocahontas. I looked at Pocahontas because Pocahontas does a lot of really beautiful runs in that movie and that really helped me learn how to create…just more elegant ,” she explained. “I actually had to go back and look at the reference. That’s when Walters turned to Disney’s back catalogue for ideas. Showing her animation to co-directors Chris Buck and Jennifer Lee she is told to make a few changes and is tasked with coming up with a more graceful run, smoothing out a slight jump and trip. For more information about how we hold your personal data, please see our privacy policy. Sign up to get alerts for movie news, reviews and recommendations plus receive television and entertainment email newsletters from our award-winning editorial team.
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